Why Researchers Choose Journal of the American Musicological Society for High-Impact Publications
The Journal of the American Musicological Society stands as a cornerstone in the field of musicology, offering a platform for scholars to publish influential work on the history, theory, and cultural contexts of music. Established in 1948 by the American Musicological Society, this quarterly publication has earned its reputation through decades of rigorous scholarship. Researchers value it for its commitment to advancing knowledge in music history, ethnomusicology, and related disciplines, making it an ideal choice for those seeking to contribute to ongoing academic dialogues.
With a focus on original articles, book reviews, and critical essays, the journal bridges historical analysis with contemporary interpretations. Its editorial process ensures that only the most compelling research sees publication, enhancing the visibility and credibility of authors' work. For historians and musicologists, submitting to the Journal of the American Musicological Society means joining a legacy of seminal contributions that shape the discipline.
The journal's scope extends beyond traditional music history to include interdisciplinary approaches, such as the intersections of music with literature, politics, and society. This breadth attracts a global readership, amplifying the impact of published studies. Scholars appreciate the journal's adherence to high scholarly standards, which includes double-blind peer review to maintain objectivity.
Publishing here also opens doors to networking opportunities within the American Musicological Society, fostering collaborations that can lead to further research funding and career advancement. As the field evolves, the journal remains at the forefront, adapting to new methodologies while honoring its historical roots.
To explore how this journal fits into your research trajectory, consider reviewing musicology positions or checking the academic calendar for upcoming conferences. For personalized advice, visit Rate My Professor to connect with experts in the field.
Overview & History
The Journal of the American Musicological Society, often abbreviated as JAMS, was founded in 1948 as the official organ of the American Musicological Society (AMS). It emerged from the need for a dedicated venue to disseminate scholarly work in musicology during the post-World War II era, when academic interest in historical music studies was burgeoning. Over the years, it has published landmark articles that have redefined understandings of musical traditions across cultures and periods.
Published by the University of California Press, the journal transitioned to online accessibility in the digital age, ensuring wider reach while maintaining its print tradition. Its history reflects the evolution of musicology from a Eurocentric focus to a more inclusive examination of global musical practices. Key milestones include special issues on topics like gender in music and digital humanities applications in historical analysis.
Today, JAMS continues to serve as a vital resource for graduate students, professors, and independent researchers, with archives dating back to its inception available through the publisher's platform.
Scope and Disciplines Covered
The journal encompasses a wide array of topics within musicology, emphasizing historical and analytical perspectives. It welcomes submissions on Western art music, world music traditions, popular music history, and theoretical frameworks. Interdisciplinary work that connects music to history, anthropology, or performance studies is particularly encouraged.
| Discipline | Description |
|---|---|
| Music History | Studies of musical developments from medieval to contemporary eras. |
| Ethnomusicology | Exploration of music in cultural contexts worldwide. |
| Music Theory | Analytical approaches to composition and structure. |
| Historical Musicology | Archival research on composers, genres, and institutions. |
| Interdisciplinary Studies | Links between music and literature, politics, or technology. |
This scope ensures that diverse scholarly voices find a home, promoting innovative research that pushes disciplinary boundaries.
Key Journal Metrics
| Metric | Value | Source |
|---|---|---|
| Impact Factor | Not publicly disclosed (AHCI-indexed) | Clarivate |
| CiteScore | 0.2 (2022) | Scopus |
| SJR | 0.123 | Scimago |
| h-index | 42 | Scopus |
| Acceptance Rate | Approximately 20% | Publisher estimates |
These metrics highlight the journal's steady influence in the humanities, where citation patterns differ from sciences but signify enduring scholarly impact.
Indexing and Abstracting
JAMS is indexed in major databases, ensuring discoverability for authors' work. It appears in the Arts & Humanities Citation Index (AHCI) via Web of Science, Scopus, and MLA International Bibliography. Additional coverage includes RILM Abstracts of Music Literature and JSTOR for archival access. This broad indexing supports citation tracking and interdisciplinary visibility, essential for researchers building their academic profiles. For more on academic tools, see PhD programs in history.
Publication Model and Fees
The journal operates on a hybrid model, offering subscription access with open access options for authors. There are no article processing charges (APCs) for standard publication, making it accessible for scholars without institutional funding. Open access articles incur a fee of $3,000, covered often by grants or libraries. This model balances sustainability with equity, aligning with University of California Press policies. Sherpa/RoMEO classifies it as green for self-archiving.
Submission Process and Guidelines
Submissions are handled through the online portal at the journal's homepage. Authors must prepare manuscripts in Chicago style, double-spaced, up to 10,000 words. Anonymized for peer review, articles undergo initial editorial screening followed by two to three expert reviews. Average time from submission to decision is 3-6 months. Detailed guidelines emphasize originality and engagement with current scholarship. For preparation tips, explore academic conferences.
Editorial Board Highlights
The editorial board comprises distinguished scholars from leading institutions. Editor-in-Chief Ana Maria Ochoa Gautier (Columbia University) oversees content strategy, with associate editors specializing in medieval music, jazz studies, and global ethnomusicology. Board members include experts from Harvard, Oxford, and UC Berkeley, ensuring diverse perspectives. Their collective expertise upholds the journal's rigorous standards.
Why Publish in Journal of the American Musicological Society?
Publishing in JAMS elevates a researcher's career by associating with a prestigious outlet in music history. It offers exposure to an international audience, potential for awards from the AMS, and enhanced tenure prospects. The journal's archival stability ensures long-term accessibility, while peer feedback refines work. For career benefits, check Rate My Professor for musicology or tenure-track positions.
Comparison with Similar Journals
| Journal | Focus | Impact Metric | Publisher |
|---|---|---|---|
| Journal of the American Musicological Society | Music history & theory | CiteScore 0.2 | UC Press |
| Music & Letters | British musicology | SJR 0.1 | Oxford |
| 19th-Century Music | Romantic era | h-index 25 | UC Press |
| Ethnomusicology | Cultural music studies | CiteScore 0.5 | UI Press |
| Journal of Musicology | Analytical history | SJR 0.15 | UC Press |
This comparison underscores JAMS's unique position in comprehensive musicological discourse.
Researcher Tips for Successful Submission
To succeed, align your work with the journal's scope, using primary sources innovatively. Engage recent literature and consider interdisciplinary angles. Proofread meticulously and seek colleague feedback pre-submission. Track revisions promptly. For broader support, visit PhD programs in music or research positions. These strategies increase acceptance chances in competitive fields like history and musicology.