Why Researchers Choose Theatre Journal for High-Impact Publications
Theatre Journal, published by Johns Hopkins University Press since 1949, remains a cornerstone in the field of theatre and performance studies. This quarterly peer-reviewed publication fosters critical dialogue on dramatic theory, theatre history, and contemporary performance practices. Researchers value its rigorous editorial standards and commitment to advancing interdisciplinary scholarship that bridges theatre with cultural, social, and political contexts. With a focus on original articles, book reviews, and performance critiques, Theatre Journal offers a platform where emerging and established scholars can engage with global theatre traditions.
Founded by the American Theatre Association, now part of the Association for Theatre in Higher Education (ATHE), the journal has evolved to reflect the dynamic nature of performance arts. Its pages feature essays that challenge conventional boundaries, from avant-garde experiments to postcolonial interpretations of classical works. The journal's influence extends beyond academia, informing practitioners and audiences alike. For those navigating academic careers, publishing in Theatre Journal enhances visibility and credibility, often cited in tenure portfolios and grant applications.
Key to its appeal is the emphasis on diverse methodologies, including archival research, ethnographic studies, and theoretical analyses. Contributors appreciate the journal's role in documenting theatre's societal impact, especially in areas like identity, embodiment, and spectatorship. As performance studies intersect with digital media and global migration, Theatre Journal adapts by soliciting work that addresses these timely issues. Researchers preparing submissions should align their work with the journal's mission to provoke thoughtful debate.
To explore opportunities in theatre academia, consider browsing theatre faculty positions or checking the academic calendar for deadlines. For personalized advice, visit Rate My Professor to connect with mentors in the field. Submitting to Theatre Journal could be your next step toward impactful publication—review the guidelines on their official site and start drafting today.
Overview & History
Theatre Journal traces its origins to 1949, when it debuted as the official organ of the American Educational Theatre Association. Over decades, it has chronicled the evolution of theatre scholarship, adapting to cultural shifts like the rise of feminist and queer performance theories in the 1970s and 1980s. Today, under the auspices of ATHE, it continues to serve as a vital resource for understanding theatre's role in society.
Historically, the journal has published seminal works by luminaries such as Jill Dolan and Joseph Roach, whose essays have shaped disciplinary paradigms. Its archives offer invaluable insights into mid-20th-century American theatre practices, while recent issues tackle pressing topics like climate change in performance and digital theatre during pandemics. This rich legacy underscores its enduring relevance for researchers seeking to contextualize their work within broader historical narratives.
Scope and Disciplines Covered
Theatre Journal encompasses a wide array of topics within theatre and performance studies. It welcomes submissions on playwriting, directing, acting methodologies, and scenography, alongside broader examinations of ritual, media, and intercultural exchanges.
| Discipline | Description |
|---|---|
| Theatre History | Explores historical developments in dramatic literature and production practices across eras and regions. |
| Performance Studies | Analyzes live and mediated performances, including embodiment, audience reception, and cultural critique. |
| Dramatic Theory | Engages with philosophical and aesthetic frameworks for understanding theatre as an art form. |
| Interdisciplinary Approaches | Integrates theatre with fields like anthropology, gender studies, and postcolonial theory. |
These areas ensure the journal's appeal to a multidisciplinary audience, encouraging innovative intersections that enrich scholarly discourse.
Key Journal Metrics
| Metric | Value | Source |
|---|---|---|
| Impact Factor | Not publicly disclosed (A&HCI indexed) | Clarivate |
| SJR | 0.128 | Scopus 2022 |
| h-index | 25 | Scopus |
| CiteScore | 0.3 | Scopus |
These metrics highlight Theatre Journal's steady influence in the humanities, where citation patterns differ from STEM fields. Researchers track them via PhD programs in performance studies to gauge prestige.
Indexing and Abstracting
Theatre Journal is indexed in major databases including Scopus, Arts & Humanities Citation Index (Clarivate), MLA International Bibliography, and EBSCOhost. This broad coverage ensures global accessibility and discoverability for published articles. Abstracting services like ProQuest and JSTOR further amplify its reach, making it a go-to source for literature reviews in theatre research.
For comprehensive searches, scholars often combine these with theatre research positions listings to stay updated on field advancements.
Publication Model and Fees
As a hybrid journal, Theatre Journal offers subscription-based access with open access options. Authors can publish open access via the Cambridge Open option, with an Article Processing Charge (APC) of approximately $3,000, though waivers are available for certain cases. Traditional subscription ensures wide library holdings, balancing accessibility with sustainability.
This model supports diverse publication strategies; explore funding through grants in theatre arts.
Submission Process and Guidelines
Submissions are handled through the journal's online portal at ScholarOne. Manuscripts should be 6,000-8,000 words, double-spaced, with Chicago-style citations. Initial reviews take 3-4 months, involving blind peer review by experts in theatre studies.
- Prepare an abstract of 150 words.
- Ensure originality and adherence to ethical standards.
- Include keywords for indexing.
Guidelines emphasize clarity and engagement; for tips, see academic publishing advice.
Editorial Board Highlights
The editorial team, led by Editor-in-Chief Esther Kim Lee (University of Maryland), includes associate editors specializing in global theatre, digital performance, and pedagogy. Board members hail from institutions like Yale and NYU, bringing diverse expertise that ensures balanced, innovative content selection.
Their collective experience guides the journal's direction, fostering inclusivity in theatre scholarship.
Why Publish in Theatre Journal?
Publishing here elevates a researcher's profile, offering exposure to influential peers and potential collaborators. Its ATHE affiliation connects authors to conferences and networks, aiding career progression. Articles often inform curricula and inspire productions, extending academic impact to practice.
For career boosts, pair with tenure-track jobs in theatre.
Comparison with Similar Journals
| Journal | Focus | Publisher | Frequency |
|---|---|---|---|
| TDR: The Drama Review | Experimental performance | MIT Press | Quarterly |
| Modern Drama | 20th-century theatre | University of Toronto Press | Quarterly |
| Performance Research | Interdisciplinary performance | Taylor & Francis | Bimonthly |
| Theatre Survey | Theatre history | Cambridge University Press | Semiannual |
Theatre Journal distinguishes itself through its comprehensive coverage and ATHE ties, ideal for holistic theatre inquiries.
Researcher Tips for Successful Submission
- Align with current calls, like those on decolonial theatre.
- Seek feedback from colleagues via mentorship programs.
- Revise based on reviewer comments for stronger revisions.
- Track progress with tools from researcher productivity tools.
Success here can open doors; monitor theatre studies conferences for synergies.