Rate My Professor Carole Terry

Carole Terry is a distinguished figure in Arts and Culture at the University of Texas at Arlington, serving as Professor of Organ and Harpsichord. Her academic background includes Bachelor and Master of Music degrees from Southern Methodist University in Dallas, Texas, where she studied organ with Robert T. Anderson and harpsichord with Larry Palmer. She continued her training at the Eastman School of Music with organist David Craighead and earned her Doctor of Musical Arts in Early Music Performance Practice from Stanford University in 1977, working with Herbert Nanney on organ, Margaret Fabrizio on harpsichord, and Joan Benson on fortepiano and clavichord.

Throughout her career, Terry has been a renowned performer and pedagogue of organ and harpsichord, performing in major venues across the United States, Europe, Canada, and the Far East as soloist with orchestras, recitalist, and chamber musician. Highlights include inaugurating the C.B. Fisk organ at Benaroya Hall as Resident Organist and Curator for the Seattle Symphony from 2000 to 2003, the first American organist recital in Perm, Russia, on the Glatter-Götz organ in 2004, and performances on the Wolff organ in Christ Church Cathedral, Victoria, B.C., in 2006. She has appeared at international festivals such as the Bamboo Organ Festival in Manila, Attersee Barock Akademie, Schleswig-Holstein Musik Festival, Oundle International Summer School for Young Organists, and Mount Royal College Organ Academy. Terry has judged competitions including the International Musashino Organ Competition in Tokyo and the Mikael Tariverdiev International Organ Competition, and featured at American Guild of Organists conventions, Oregon Bach Festival, and Montreat Festival. Her expertise encompasses German Romantic organ music, Baroque repertoire, keyboard performance physiology, and Baroque keyboard technique. Key recordings include Brombaugh Organs of the Northwest (1986), 20th Century Harpsichord Works (1986), The Complete Organ Works of Johannes Brahms (1990), Carole Terry in Schwerin (1998, two CDs on the Ladegast organ), and Carole Terry Plays the Watjen Concert Organ (2008). She serves on the Board of Governors of the Westfield Center for Keyboard Studies, chairs its Concert Scholar Committee, and is a member of the College of Mentors at the John Ernest Foundation. Broadcasts feature on NPR, ABC, Europe, and Japan.

Professional Email: null