Rate My Professor Hugh Harlow

At the University of Otago, Harlow coordinates and teaches key courses in music production, including MUSI 132 Music Production 1, MUSI 232 Music Production 2, MUSI 334 Music Production Projects, and MUSI 332 Music Production 3. His scholarly work includes conference contributions such as "Sound and the city: A discussion of class by activists who #planfornoise" (2024, with D. Bennett and F. Gilmour), "#planfornoise" (2023, with F. Gilmour and M. Holland), and "Augmented reality in nursing" (2019 verbal presentation, with I. Crabtree and E. Collins). Harlow's extensive creative portfolio features engineering and production credits on numerous releases, including High Cross Society's self-titled album (2013, London), Hannah In The Wars' self-titled album (2015, London), In Violet's Amber album (2016, London), The Mentalist Collective's Mandala EP (2018, Dunedin) and Pieces of Home single (2021), One Day Sane's self-titled EP (2020), Call A Prophet single (2021), The Disappearance of Emily Jane single (2022), and Grey Nation single (2023), all in Dunedin; The Waxeyes' Won’t Come Back single (2022), Molly Devine's Sing single (2022), Dusty Duke's untitled EP (2022) and Stay With Me Here single (2023), Boaz Anema's History single (2022), Loose & Colourful's Breadfruit single (2023) and Breadfruit Live music video (2024), Hystera's friendship/combat single (2023), Before The Snooze's Just Like A Song single (2024), and OUSA/Radio One's Local Produce live streaming events (2023, 2024). These works highlight his ongoing influence in the Dunedin music community.