Rate My Professor Mara Favoretto

Favoretto has produced an extensive body of work, including books Coded Lyrics: The Poetics of Argentine Rock under Censorship and Beyond (Liverpool University Press, 2024), Spinetta: mito y mitología (Gourmet Musical Ediciones, 2017), Charly en el país de las alegorías: un viaje por las letras de Charly García (Gourmet Musical Ediciones, 2014, now in its sixth edition), and Alegoría e ironía bajo censura en la Argentina del Proceso (1976-1983) (Edwin Mellen Press, New York, 2010). Notable publications also feature 'La dictadura argentina y el rock: enemigos íntimos' (Resonancias, 2014), 'Tango and Cumbia villera: Origins, Encounters, and Tensions' (Studies in Latin American Popular Culture, 2016), 'Toward a Hybrid Latin American-Australian Music Scene' (in Australian-Latin American Relations, 2016), 'Charly García's allegories as counter-discourse' (Confluencia, 2012), 'Politicians on Campaign: Cristina Fernández’s Visual and Discursive Strategies of Persuasion in the Parliamentary Elections of 2017' (Studies in Latin American Popular Culture, 2020), 'Actuar para (sobre) vivir: Rock nacional y cumbia villera en Argentina' (Studies in Latin American Popular Culture, 2011), and 'The Construction of Latin American Musical Identity in Melbourne' (in Made in Australia and Aotearoa/New Zealand, 2018). Her scholarship, cited over 296 times on Google Scholar and 77 times on ResearchGate across 40 publications, addresses intersections of politics, power, and popular music in Argentina, influencing studies on rock nacional during dictatorship eras and hybrid music identities.