Rate Professor Richard Charteris

Professional Summary: Professor Richard Charteris

Professor Richard Charteris is a distinguished musicologist and academic affiliated with the University of Sydney, Australia. Renowned for his extensive contributions to the study of early music and historical musicology, he has built a prolific career marked by rigorous scholarship and editorial expertise. Below is a detailed overview of his academic journey, research focus, and professional achievements based on publicly available information.

Academic Background and Degrees

Professor Charteris holds advanced degrees in musicology, reflecting his deep commitment to the field. While specific details of his educational institutions and years of graduation are not universally documented in public sources, his scholarly output and appointments indicate a robust academic foundation in music history and research.

Research Specializations and Academic Interests

Professor Charteris specializes in early music, with a particular focus on Renaissance and Baroque periods. His research interests include:

• Historical musicology and manuscript studies
• Editing and publishing early music scores
• The works of composers such as Giovanni Gabrieli and other figures from the 16th and 17th centuries

His meticulous approach to source analysis and editorial work has positioned him as a leading authority in the preservation and interpretation of historical musical texts.

Career History and Appointments

Professor Charteris has had a long and impactful tenure at the University of Sydney, where he serves as an Emeritus Professor in the School of Music. His career includes:

• Emeritus Professor of Musicology, University of Sydney
• Extensive involvement in teaching and mentoring students in historical musicology

His role at the University of Sydney underscores his dedication to advancing musicological research and education in Australia.

Major Awards, Fellowships, and Honors

Professor Charteris has been recognized for his contributions to musicology through various honors. While specific awards may vary across sources, notable recognitions include:

• Fellowship of the Australian Academy of the Humanities, acknowledging his significant contributions to the humanities and music studies

Key Publications

Professor Charteris has an extensive bibliography, with numerous books, editions, and articles focusing on early music. Some of his key works include:

• Giovanni Gabrieli (ca. 1555–1612): A Thematic Catalogue of His Music with a Guide to the Source Materials and Translations of His Vocal Texts (1996)
• John Coprario: A Thematic Catalogue of His Music with a Biographical Introduction (1977)
• Multiple critical editions of early music scores published through renowned academic presses
• Numerous articles in peer-reviewed journals on Renaissance and Baroque music sources

His publications are widely regarded as essential resources for scholars and performers of early music.

Influence and Impact on Academic Field

Professor Charteris has had a profound impact on the field of musicology, particularly through his editorial contributions and cataloging of early music repertoires. His thematic catalogues and critical editions have provided invaluable tools for researchers and musicians, facilitating deeper understanding and performance of historical works. His scholarship has helped bridge the gap between academic research and practical application in music performance, influencing both scholarly discourse and public appreciation of early music.

Public Lectures, Committees, and Editorial Contributions

Professor Charteris has been actively involved in the academic community through various roles, including:

• Editorial work on critical editions of music scores, contributing to the preservation of historical compositions
• Participation in international musicology conferences and symposia
• Membership in editorial boards and committees focused on musicological research (specific roles may vary by source)

His dedication to editorial precision and academic collaboration has enriched the global musicology community.