Discover the Journal of the American Musicological Society, a premier Arts and Culture journal since 1948. Explore its prestige, broad scope in musicology, and value for submissions. Ideal for researchers seeking influential publications in historical and theoretical music studies.
The Journal of the American Musicological Society stands as a cornerstone in the field of musicology, offering researchers a platform to disseminate groundbreaking work in historical, theoretical, and cultural aspects of music. Established in 1948 by the American Musicological Society, this quarterly publication has evolved into a vital resource for scholars worldwide, fostering advancements in understanding music's role across societies and eras. Its rigorous peer-review process ensures that only the most innovative and meticulously researched articles see publication, contributing to its enduring reputation for excellence.
Researchers are drawn to the journal for its comprehensive coverage, which spans from medieval chants to contemporary compositions, encompassing ethnomusicology, analysis, and interdisciplinary approaches. Published by the University of California Press, it maintains high academic standards while being accessible to a global audience through both print and digital formats. The journal's commitment to open scholarship is evident in its indexing across major databases, enhancing visibility and citation potential for authors.
With a focus on original scholarship, the Journal of the American Musicological Society encourages submissions that push methodological boundaries and engage with diverse musical traditions. Its editorial board, composed of leading experts, provides constructive feedback that refines manuscripts for maximum impact. For those in Arts and Culture disciplines, publishing here not only elevates personal academic profiles but also influences broader discourse in music studies.
As you consider your next publication venue, explore opportunities in music faculty positions via music faculty positions or consult professor reviews on Rate My Professor to connect with potential collaborators. Check the academic calendar for submission deadlines and plan your research timeline effectively.
The Journal of the American Musicological Society (JAMS) was founded in 1948 as the official organ of the American Musicological Society (AMS), a nonprofit organization dedicated to advancing musicological research. Initially published biannually, it transitioned to quarterly issues in the 1970s to accommodate growing submissions. Over the decades, JAMS has documented pivotal shifts in music scholarship, from post-World War II reconstructions of musical historiography to contemporary debates on decolonizing music studies.
Under the stewardship of the University of California Press since 2001, the journal has embraced digital innovations, including online access via the AMS website and UC Press platforms. Its history reflects the AMS's mission to promote diverse methodologies, including archival research, performance analysis, and cultural theory. Today, JAMS remains a flagship publication, with issues featuring special forums on topics like gender in music or global soundscapes.
Scholars value its longevity and stability, which have built a rich archive accessible for citation and further study. For emerging researchers, understanding this historical context can inform strategic submissions aligned with the journal's evolving priorities.
The Journal of the American Musicological Society covers a wide array of topics within musicology, emphasizing scholarly rigor and originality. Its scope includes historical musicology, systematic musicology, ethnomusicology, and interdisciplinary intersections with fields like anthropology, literature, and media studies. Articles often explore music's social, political, and aesthetic dimensions across global contexts.
| Discipline | Description | Example Topics |
|---|---|---|
| Historical Musicology | Study of music from antiquity to the present | Renaissance polyphony, Baroque opera |
| Theoretical Analysis | Structural and semiotic examinations | Schenkerian theory, form in symphonies |
| Ethnomusicology | Cultural and performative aspects | Indigenous music traditions, popular genres |
| Interdisciplinary Studies | Music in relation to other arts | Music and film, sound in literature |
This broad yet focused scope ensures relevance for researchers in Arts and Culture, with opportunities to address pressing issues like musical identity in multicultural societies. Review past issues on the official journal homepage to gauge fit for your work.
| Metric | Value | Source |
|---|---|---|
| Impact Factor | 0.647 | Clarivate JCR 2022 |
| 5-Year Impact Factor | 0.812 | Clarivate JCR 2022 |
| CiteScore | 0.9 | Scopus 2023 |
| h-Index | 42 | Scopus |
| Acceptance Rate | Approximately 20% | Publisher data |
These metrics highlight JAMS's solid standing in the Arts and Humanities, where impact is measured more by scholarly influence than raw numbers. Researchers can leverage these figures in grant applications or tenure dossiers. For career advancement, explore PhD programs in musicology to build expertise aligned with such journals.
JAMS is indexed in prestigious databases, ensuring wide dissemination. Key services include Web of Science (Arts & Humanities Citation Index), Scopus, MLA International Bibliography, and RILM Abstracts of Music Literature. It is also archived in JSTOR for long-term preservation and discoverability.
This indexing supports global reach, with articles cited in diverse academic works. Access abstracts via Scopus to track trends in musicology research.
The journal operates on a subscription-based model, with hybrid open access options available. Authors affiliated with AMS members receive reduced fees, but there is no mandatory Article Processing Charge (APC) for standard submissions. Open access publication costs approximately $1,200, covered by institutional agreements or grants.
As a nonprofit society journal, JAMS prioritizes accessibility over profit, offering free access to issues older than five years. This model benefits early-career researchers by minimizing financial barriers. Check Sherpa/RoMEO for self-archiving policies, which allow preprint deposits in institutional repositories.
Submissions are handled through the journal's online portal at the University of California Press website. Manuscripts should be 8,000–12,000 words, double-spaced, with Chicago-style citations. Anonymized for blind review, articles undergo initial editorial screening followed by two to three peer reviews.
Guidelines emphasize originality, clear argumentation, and engagement with current scholarship. Multimedia supplements, like audio files, are encouraged for musical analyses. Average time from submission to decision is 4–6 months. Prepare your work by reviewing musicology events calendar for related conferences.
The editorial board comprises distinguished scholars from leading institutions. Editor-in-Chief Ana María Alonso-Minutti (University of New Mexico) oversees content strategy, with associate editors specializing in regions like Europe and Asia. Notable members include Elaine Sisman (Columbia University) for historical topics and Judy Lochhead (University of New Hampshire) for theory.
This diverse team ensures balanced perspectives, with international representation. Board members often contribute essays or reviews, enriching each issue. Aspiring authors can connect via AMS meetings; rate potential mentors on Rate My Professor for musicology.
Publishing in JAMS offers unparalleled prestige within musicology circles, enhancing CVs for academic jobs and funding. Its readership includes top historians and theorists, leading to collaborations and invitations. The journal's focus on innovative approaches amplifies voices in underrepresented areas, like non-Western music traditions.
Authors benefit from detailed feedback that strengthens future work, and citations boost h-index scores. For career growth, pair publication with exploring arts and humanities faculty positions. The society's network provides additional visibility through awards and newsletters.
| Journal | Publisher | Impact Factor | Scope Focus | Frequency |
|---|---|---|---|---|
| Journal of the American Musicological Society | UC Press | 0.647 | Broad musicology | Quarterly |
| Music & Letters | Oxford University Press | 0.3 | Historical/critical | Quarterly |
| 19th-Century Music | UC Press | 0.2 | 19th-century focus | Three times/year |
| Ethnomusicology | University of Illinois Press | 0.5 | Cultural/performance | Three times/year |
| Journal of Musicology | UC Press | 0.4 | Analytical/historical | Quarterly |
JAMS distinguishes itself through its society affiliation and comprehensive coverage, often outperforming peers in citation diversity. Researchers should select based on specific topical fit, consulting arts and culture PhD programs for comparative insights.
To maximize chances, align your manuscript with recent issues and solicit pre-submission feedback from colleagues. Ensure robust primary source engagement and theoretical framing. Avoid common pitfalls like insufficient context or overly narrow scopes. Track revisions meticulously and respond to reviewer comments thoroughly.
Utilize AMS resources for workshops on writing. For broader career support, visit academic advising jobs or the conference calendar. Persistence pays off in this competitive field.