Rate My Professor Constance Goh

Constance Goh serves as a Lecturer in the Faculty of Humanities at Curtin University Singapore Campus. She earned her Doctor of Philosophy from the University of Nottingham, specializing in Critical Theory, and holds a Diploma of Information Technology. In her role within the School of Media, Creative Arts and Social Inquiry, she teaches courses including COMS2000: Media, Culture and Consumption. Her pedagogical approach extends to guiding students on leveraging social media for personal branding, emphasizing how online profiles influence career opportunities and human resources assessments, while fostering skills in content creation, editing, and trend awareness.

Goh's research centers on critical media studies, communications, culture and cognition, and psychoanalytic film theory. She has authored the article 'A Case for Psychoanalytic Visual Dispositif? Birdman after Lacan,' published in KOME: An International Journal of Pure Communication Inquiry (Volume 9, Issue 1, 2021, pp. 85-100), which analyzes Alejandro Iñárritu's Birdman to debunk superhero myths through concepts of cinematic capture, suture, and the gaze, proposing it as a psychoanalytic intervention revealing the traumatic real in post-cinematic digitization. Additional publications include conference papers 'The Enigma of the Recurring “Bodies” From Si Spencer’s Adaptation' (2024) and 'Biography as Cinema Verité? Writing Steve Job’s Life' (2023), as well as 'Dao and Khōra' and 'The art of dissent from the rhetoric of silence: the terror and promise of Dao and Khora' (2008). Previously, she was a Lecturer at LASALLE College of the Arts, designing and delivering Bachelor of Arts modules, and an Assistant Professor at Nagoya University. Her scholarly contributions appear in international conferences such as the KAMC.