Rate My Professor Peter Otto

Key publications include Multiplying Worlds: Romanticism, Modernity, and the Emergence of Virtual Reality (Oxford University Press, 2011); William Blake: Selected Works in the 21st Century Oxford Authors series (Oxford University Press, 2018); 'Innovations in Encompassing Large Scenes', an online exhibition in the Romantic Circles Gallery of Visual Culture (2013); 'The Horrors of Creation: Globes, Englobing Powers, and Blake's Archaeologies of the Present' in William Blake's Gothic Imagination (Manchester University Press, 2018); 'William Blake, the Secularization of Religious Categories, and the History of Imagination' in Constructing Nineteenth-Century Religion (Ohio State University Press, 2019); 'The Ends of Illustration: Explanation, Critique, and the Political Imagination in Blake's Title-pages for Genesis' in Romanticism and Illustration (Cambridge University Press, 2019); 'William Blake, the Ancient Gnostics, and the Birth of Modern Gnosticism' in The Gnostic World (Routledge, 2019); ''Rouse Up O Young Men of the New Age!': Ōe Kenzaburō and William Blake on Bodies, Biopolitics, and the Imagination' in British Romanticism in Asia (Palgrave Macmillan, 2019); ''Second birth' and Gothic fictions in Matthew Lewis's The Monk, Catherine Blake's 'Agnes', and William Blake's Vala or The Four Zoas' in William Blake: Modernity and Disaster (University of Toronto Press, 2020); 'Light, moonlight, darkness and the world' in NGV Triennial 2020 (National Gallery of Victoria, 2020); 'Looking 'thro ... & not with the Eye: From Romanticism to the Counter Culture, Rock and Roll, and the Anthropocene' in European Romantic Review (2020); and 'Negotiating the 'Holy Land': Cross-Cultural Encounters from Bonaparte to Blake' in Postcolonial Studies (2020). He is consultant editor of The Victorian Popular Culture Portal: Spiritualism, Sensation, and Magic.