Rate My Professor Jonathan Mulrooney

Mulrooney's research centers on British Romantic literature, Romantic-period theater and public culture, nineteenth-century British and American literature, film, Romantic historicisms, theatrical performance, literary theory, and magic and magical narratives. He authored Romanticism and Theatrical Experience: Kean, Hazlitt, and Keats in the Age of Theatrical News (Cambridge University Press, 2018). He edited the special issue Romantic Movements for European Romantic Review 25.3 (June 2014), including his 'Introduction: Romantic Movements.' Key peer-reviewed articles include 'Keats’s 1817 Occasions' in SEL: Studies in English Literature 1500-1900 59.4 (Autumn 2019), 'Environmental Indifference' in Integritas 8.2 (Fall 2016), 'How Keats Falls' in Studies in Romanticism 50.2 (Summer 2011), 'Keats’s Avatar' in European Romantic Review 22.3 (June 2011), 'Keats in the Company of Kean' in Studies in Romanticism 42.2 (Summer 2003), and 'Reading the Romantic-period Daily News' in Nineteenth-Century Contexts 24.4 (December 2002). Book chapters encompass 'Performance' in The Blackwell Encyclopedia of Romanticism (Blackwell, 2012) and 'Reading Theatre, 1730-1830' in The Cambridge Companion to Theatre, 1730-1830 (Cambridge University Press, 2007). Mulrooney has presented invited lectures such as 'Authors on the Hill' on his book (2019) and 'Keats, Interrupted' (2014).