Rate My Professor Stacy Hubbard

Hubbard's publications reflect her scholarly impact on American modernism, poetry, and feminist criticism. Key works include the “Introduction” to Louisa May Alcott’s Little Women (Sterling Press, New York, 2012) and the "Introduction" to The Early Poems and Plays of Edna St. Vincent Millay (Barnes and Noble Essential Reading Series, New York, 2006). She has published chapters such as "Mannerist Moore: Poetry, Painting, Photography" in 'A Right Good Salvo of Barks': Poets and Critics on Marianne Moore, edited by Linda Leavell, Cristanne Miller, and Robin Schulze (Bucknell University Press, Lewisburg, PA, 2005, pp. 113-136); "Love's 'Little Day': Time and the Sexual Body in Edna St. Vincent Millay’s Sonnets" in Millay at 100: A Critical Reappraisal, edited by Diane P. Freedman (Southern Illinois University Press, Carbondale, IL, 1995, pp. 100-116); "The Many-Armed Embrace: Collection, Quotation and Mediation in Marianne Moore’s Poetry" in Sagetrieb 12:2 (Fall 1993, pp. 7-32); "Telling Accounts: DeQuincey at the Bookseller's" in Postmodernism Across the Ages: Essays for a Postmodernity that Wasn’t Born Yesterday, edited by Bill Readings and Bennet Schaber (Syracuse University Press, Syracuse, NY, 1993, pp. 153-168); and "'A Splintery Box': Race and Gender in the Sonnets of Gwendolyn Brooks" in Genre: Forms of Discourse and Culture 25:1 (Spring 1992, pp. 47-64), reprinted in Diversifying the Discourse: The Florence Howe Award for Feminist Studies: 1990-2003, edited by Roseanne Dufault and Mihoko Suzuki (Modern Language Association Press, New York, 2006). Her office is at 507 Clemens Hall.