Rate My Professor Stephen Charbonneau

Charbonneau authored Projecting Race: Postwar America, Civil Rights, and Documentary Film, published by Wallflower/Columbia University Press in 2016, with research supported by a Fulbright Fellowship in 2012-2013, funding from the Lyndon Baines Johnson Presidential Library, and the International Council for Canadian Studies. He co-edited InsUrgent Media from the Front: A Media Activism Reader with Chris Robé, published by Indiana University Press in 2020. He also co-edited issue no. 45 of Screening the Past in 2020 on Haskell Wexler’s Medium Cool (1969), contributing the introduction “The Afterlives of Medium Cool” and the article “We Have a Visitor: Boundary-Crossings and White Allyship in Haskell Wexler’s The Bus and Medium Cool.” Other key publications include “Insurgent Leisure, Aquatic Angst: Newsfilm, Civil Rights and the Coastal Imaginary” in the Journal of e-Media Studies (2022), “Searching for a Digital Documentary Vernacular: Floridian Lives, Possibility Spaces, and the Labless Lab” (forthcoming), and “Playing Confession: Gaming, Autobiography, and the Elusive Self” in I Confess: Constructing the Sexual Self in the Internet Age (McGill-Queen’s University Press, 2019). He has cultivated an undergraduate research cluster in digital documentary practices and is currently developing the book project Archival Tides: Civil Rights, Digital Newsfilm, and Fugitive Imaginaries.